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Stanhope is angry that Raleigh has been allowed to join him and describes the boy as a hero-worshipper. As Stanhope is in a relationship with Raleigh's sister Madge, he is concerned that Raleigh will write home and inform his sister of Stanhope's drinking. Stanhope tells Osborne that he will censor Raleigh's letters so this will not happen; Osborne does not approve. Stanhope confiscates a letter from Raleigh, insisting on his right to censor it. Stanhope is in a relationship with Raleigh's sister and is worried that, in the letter, Raleigh will reveal Stanhope's growing alcoholism. Full of self-loathing, Stanhope accedes to Osborne's offer to read the letter for him. The letter is, in fact, full of praise for Stanhope. The scene ends with Stanhope quietly demurring from Osborne's suggestion to re-seal the envelope. Journey's End is a 1928 dramatic play by English playwright R. C. Sherriff, set in the trenches near Saint-Quentin, Aisne, towards the end of the First World War. The story plays out in the officers' dugout of a British Army infantry company from 18 to 21 March 1918, providing a glimpse of the officers' lives in the last few days before Operation Michael.
a b c d e f g h i Sherriff, Robert Cedric (1968). No Leading Lady: An Autobiography. London: Victor Gollancz. pp.39, 9, 43–44, 45, 52, 49, 70–76, 129, 130, 181. ISBN 978-0-575-00155-8. She doesn't know that if I went up those steps into the front line – without being doped with whisky – I'd go mad with fright.” This is a WWI classic play that was not going anywhere, simply because it had no female part. Finally when actor Laurence Olivier took the lead, the play became popular. Walters, Emily Curtis (2016). "Between entertainment and elegy: the unexpected success of R. C. Sherriff's Journey's End (1928)". Journal of British Studies. 55 (2): 344–73. doi: 10.1017/jbr.2016.3. Over the years there have been numerous amateur productions, the all-male cast making the play a particularly attractive choice for boys' schools, scout troops and other all-male environments. The British Scout Association owns a share of the rights to the play. [13]
Private Mason, a servant cook, often forgets about ingredients and key parts of the food that he prepares for the officers. He is really part of the infantry but the company has let him be a part-time cook. Osborne puts a tired and somewhat drunk Stanhope to bed. Stanhope, as well as the other officers, refers to Osborne as "Uncle". Purkis, Charlotte (2016). "The mediation of constructions of pacifism in Journey's End and The Searcher, two contrasting dramatic memorials from the late 1920s". Journalism Studies. 17 (4): 502–16. doi: 10.1080/1461670X.2015.1135753.
Other plays of the period dealing with the war tended to be judged by the standard of Journey's End. [21] The play and its characters also influenced other writers. In 1930, Noël Coward briefly played the role of Stanhope while on tour in the Far East. He did not consider his performance successful, writing afterwards that his audience "politely watched me take a fine part in a fine play and throw it into the alley." [22] However, he was "strongly affected by the poignancy of the play itself", and was inspired to write Post-Mortem, his own "angry little vilification of war", shortly afterwards. [23] Second Lieutenant Trotter is a rotund officer commissioned from the ranks who likes his food; he cannot stand the war and counts down each hour that he serves in the front line by drawing circles onto a piece of paper and then colouring them in.
A gentleman’s game?
One of my favourite play writes, I tend to stay away from WW1 fictional content as I don't believe that something so horrific can be explained through fiction. WW1 fiction is always either one of two things: extremely unrealistic but fun to read or extremely unrealistic to the point where you are debating wether the Great War actually taught people anything. Journey's End @ the Greenwich Theatre - A Review - Londoneer". Archived from the original on 19 February 2013 . Retrieved 19 February 2013. i would just like to know what happens afterwards. does Stanhope quit drinking and go home? do they all just die?
The three-act play has themes of courage, innocence, human vanity, and mortality. The captain of this company and the protagonist of the play is named Dennis Stanhope. Journey's End opened as a semi-staged production running for two nights at the Apollo Theatre. [1] It starred Laurence Olivier, then only 21, offered the role of Stanhope by the then equally unknown director James Whale. [1] Under a new producer, Maurice Browne, the play soon transferred to the Savoy Theatre where it ran for three weeks starting on 21 January 1929. [2] The entire cast from the Apollo reprised their roles ( George Zucco playing Osborne and Maurice Evans Raleigh) except for Olivier, who had secured another role and was replaced by Colin Clive as Stanhope. [3] The play was extremely well received: in the words of Whale's biographer James Curtis, it "managed to coalesce, at the right time and in the right manner, the impressions of a whole generation of men who were in the war and who had found it impossible, through words or deeds, to adequately express to their friends and families what the trenches had been like". [4] It transferred to the Prince of Wales Theatre, where it ran for a further two years. Curtis, James (1998). James Whale: A New World of Gods and Monsters. Boston: Faber and Faber. p.71. ISBN 0-571-19285-8. In 1930, James Whale directed an eponymous film based on the play, starring Colin Clive, David Manners and Ian Maclaren. [18]It is decided that Osborne and Raleigh will be the officers to go on the raid, despite the fact that Raleigh has only recently entered the war. Raleigh, an 18-year-old officer, reports for the first time to Osborne. Raleigh reveals that he wanted to join the company because his sister is engaged to Stanhope. Osborne detects Raleigh's idolization of Stanhope and gently cautions him that life on the front lines has a habit of changing men. I remember studying this play at secondary school, and it did not leave much of an impression. Simply another script to read until we could play football at break. Upon returning to it a little older, I have found a deep level of appreciation for the play. In the British trenches facing Saint-Quentin, Captain Hardy converses with Lieutenant Osborne, an older man and public school master, who has come to relieve him. Hardy jokes about the behaviour of Captain Stanhope, who has turned to alcohol to cope with the stress that the war has caused him. While Hardy jokes, Osborne defends Stanhope and describes him as "the best company commander we've got".
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