Naked Lunch Limited Edition Blu-ray

Product Information

supposedly extracurricular items which nonetheless had tethers to Burroughs' own real life. The result is one of the most hallucinatory films probably literal senses) involving this character which is just one memorable moment that has a more or less direct analog in Total Recall. This is an impressive looking presentation from just about every angle, with a gorgeously suffused palette that emphasizes Cronenberg's repeated

Note: Screenshots are sourced from Arrow's standalone 1080 release of the film. Per Arrow's standard operation procedure, this 4K UHDFeaturette - a standard short featurette with comments by cast and crew members and footage from the shooting of Naked Lunch. In English, not subtitled. (7 min, 1080i). Interzone is a place between two worlds; it's the bridge connecting the everyday mundane where novels as American as football sell like hotcakes, to the place that breathes life into the discordant style of a man who puts on an unfortunate "William Tell" act with his wife. It's a place that filmmakers like David Cronenberg sometimes take their audience to tell a sordid, frequently repulsive tale that takes as much guts to recount as it does talent. In the case of 'Naked Lunch,' Cronenberg had plenty of both on display. the following information on the restoration: Naked Lunch has been exclusively restored by Turbine in partnership with Arrow Films and is presented in its original aspect ratio of 1.85:1

films. That may be one reason why David Cronenberg, certainly more capable of handling the immensity of Burroughs' work than many directors,William S. Burroughs Reads Naked Lunch - an audio recording of William S. Burroughs reading from his novel Naked Lunch. The recording was produced in 1995 for an audiobook and features music by Bill Frisell, Wayne Horvitz, and Eyvind Kang. (64 min, 1080p). Film Still and Design Sketch Gallery - this gallery features production stills, by set photographer Attila Dory, of the cast and crew at work on the set of Naked Lunch. Also included are design sketches for some of the sets, drawn by art director James McAteer under the supervision of production designer Carol Spider. All images are in 1080p. In the Interzone, Bill begins writing important reports - at least he is convinced that they are because it is never made clear why he is writing them. He also meets some older friends, one of whom tries to convince him that he is a homosexual. Another man (Julian Sands) he meets literally consumes his friend.

releases, hence the verbiage about HDR10 and Dolby Vision): Naked Lunch has been exclusively restored by Turbine in partnership with Arrow Films and is presented in its original aspect ratio of 1.85:1 Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. Naked Lunch is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet Concept Art Gallery, a collection of drawings and maquettes for the creatures of Naked Lunch by Stephan Dupuis (HD 2:51)

Naked Lunch 4K Audio

In a career dedicated to seeing the unseeable and filming the unfilmable, perhaps only David Cronenberg could really do justice to William S. Burroughs’ controversial novel, Naked Lunch. Weaving together elements of Burroughs’ own remarkable biography with the content of the book, Cronenberg’s film steps inside the body and mind of an author to depict the dangerous act of imagination itself from the inside out. Former junkie William Lee (Peter Weller, Robocop) makes ends meet as an exterminator. But when he and his wife Joan (Judy Davis, Barton Fink) discover the hallucinatory properties of the powder he uses to kill bugs, they become hooked, and their world is changed forever. Insects speak, typewriters mutate and talk, interdimensional beings reveal themselves, identities fracture and blur; nothing and no one is quite what it seems. When Bill, under the influence of drugs, or the bugs that have begun talking to him, shoots his wife, he flees to Interzone, at once a place and a state of mind, where things only get stranger. But even though Burroughs does a sort of inadvertent double-duty here (that is: he's the subject and the originator of this work), it would be a mistake not to see 'Naked Lunch' as a kind of stunning creative success for Cronenberg. Why else would we still be discussing the film more than two decades since it first perplexed audiences by putting Peter Weller behind a pair of glasses and a typewriter so soon after they'd come to appreciate him as the man behind the metallic visor and the stiff movements more commonly associated with Disneyland animatronics, in ' 'Robocop'?