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Breathless

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Theatre Royal Plymouth is a registered charity providing art, education and community engagement throughout Plymouth and the wider region.

I got Arts Council funding for this on my fifth attempt after a year and a half of applying which has now run out, so I turned it into a CIC, but I just don’t have time to try and get funding for it.

Opening up to new experiences in her late-thirties, Sophie is exploring long repressed sides of herself. I really need to get someone else on board, but obviously I can’t afford to pay anyone, so it’s a bit of a difficult one, but it’s still there and it’s not something that I want to give up on. Horton describes herself as having been “on the knife-edge” of compulsive collecting, in denial for a long time because of media portrayals of the condition are so extreme. Finance is provided by PayPal Credit (a trading name of PayPal UK Ltd, Whittaker House, Whittaker Avenue, Richmond-Upon-Thames, Surrey, United Kingdom, TW9 1EH). I had a few panicked moments, but once I got into it, it was lovely to realise these clothes would be worn, would have new life.

Consumers don’t keep things as long as they used to, and most clothes are chucked away within a year of production. Read more about the condition New: A new, unread, unused book in perfect condition with no missing or damaged pages. Director Stephanie Kempson keeps the show dynamic, using the set of clothing rails well to create a feeling of claustrophobia and intensity when needed. We do this by creating and presenting a breadth of shows on a range of scales, with our extensive creative engagement programmes, by embracing the vitality of new talent and supporting emerging and established artists, and by collaborating with a range of partners to provide dynamic cultural leadership for the city of Plymouth.

The opinions expressed in this article are the author’s own and do not reflect the view of The Theatre Times, their staff or collaborators. Laura Horton’s Breathless is a story that needs to be told, not for its extremity, but for how common it probably is and, despite that, how rarely it’s heard. The large-handed tree surgeon’s anti-climatic fling with her best friend, the angry Naval guy and the avant garde self-professed mime artist who made his own socks are things of the past and so Sophie dares to admit that it is time to accept her bisexuality and date a woman. Often in the media it’s a certain type of person they tend to put forward to talk about the importance of it. This shouldn't entirely overshadow the play's presentation of queerness, however, which also offers something rarely seen onstage.

From This Author - Katie KirkpatrickKatie is a director/producer/critic based between Oxford and London, and the co-founder of Love Song Productions. Hoarding is generally associated with piles of old newspapers and mounds of junk, so Sophie doesn’t really think of herself like that.Equity has announced that chorus members at the English National Opera will not strike on 1 February.

If you’re not from a family who can just give the money to you, it’s exhausting, but you know it’s the way it is isn’t it. Breathless is part of the Theatre Royal Plymouth gang who have sent half a dozen pieces to Edinburgh, of which Horton’s is but one. After commissioning industry colleagues to lead an independent review, the theatre launched its creative renewal ambition which will see a re-organisation of its creative and producing team, to be led by a group of industry experts, instead of by one Artistic Director. Performed by Madeleine Macmahon, Breathless is a funny, honest and stylish exploration of the knife-edge of hoarding, from the joy to the addiction and suffocating shame.

Living with a mental health issue is not something that is easily and neatly resolved, it’s a constant process of work and self-acceptance. She's decided to start dating women, and the show begins with her on a date with Jo, a chef - as the date draws to a close, Sophie fumbles with excuses as to why Jo can't come back to her flat. New casting has been announced for the 70th Anniversary tour of The Mousetrap, the longest running play in the world, which continues to enthrall audiences throughout the UK and Ireland. Perhaps this could remain a guilty secret, except all these possible versions of Sophie start to become a problem as she downsizes – and downsizes again. director Stephanie Kempson, has really opened up discussions - not only about hoarding but bisexual identity.

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