Boss ME25 Guitar Multi-Effects Pedal

Product Information

Their current manufacturing portfolio includes compact, twin and multi-effect pedals, pedalboards, electronic tuners, digital studios, samplers, solid sate amplifiers and other electronic equipment. Their units are manufactured in Taiwan and Malaysia. Today, they are one of the leaders in the field of Multi-effects (Multi-FX) pedals.

The BOSS ME-25knows what it’s about: a solid, roadworthy, gigging multi-effects unit. It’s got its own soundsand doesn’t need to rely on dropping the names of other effects pedals to get it in the zone for the sounds that people generally are looking for. Others: A computer with a USB connector that supports USB Specification Revision 1.0 or higher Macintosh OS: Mac OS 10.4.3 or later Hmm. It looks like fewer effects and amp models than some cheaper models. I’ll assume that at this price, they’re aiming for quality over quantity. This will work well for…

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Volume 1 includes songs in the style of “Smells Like Teen Spirit,” “Purple Haze,” and “Eruption,” and 22 other favorites. On board you’ll find some very flexible effects and sound-sculpting tools, including compression, seven types of overdrive and distortion, a three-band equalizer, phaser, noise gate, digital delay with up to two seconds of delay time, chorus, flanger, pitch shifter, tremolo and reverb. Yhdistä ME-25 tietokoneeseesi (PC) USB-kaapelilla ja äänitys voi alkaa. ME-25 toimii USB Audio -sovittimena, ja yhdessa mukana tulevan Cakewalk Sonar 8.5 LE -ohjelman ja PC:n avulla saat kätevän äänitysstudion. AD Conversion 24-bit + AF method* DA Conversion 24-bit Sampling Frequency 44.1 kHz Memory 60 Sound Library 60 Sound Library Category CLEAN, CRUNCH, DRIVE, HEAVY, LEAD, EXTREME Effect Type COMP/FX (Compressor/Effect): COMP, T.WAH, AC SIM With a friendly design and unprecedented tone creation capabilities via COSM and EZ Tone, the ME-70 will be an essential live performance piece for guitarists. Plus, it will bring a diverse array of world-class COSM tones to any studio recording. The ME-70’s dedicated knobs for each effect section allow full, fast control over sound creation, just like a stompbox. The knobs make the ME-70 incredibly easy to use compared to traditional multi-effects units. Users will also love the new Phrase Loop function for sound-on-sound creation, with up to 38 seconds of recording time. Its EZ Tone function allows for fast and easy tone creation via simple effects presets, so players of any level can create superb tones of any genre within seconds.

It’ll be interesting to take a look at the tones it can create. It’s unlikely a user will need to get rid of their ME-25 because it’ll be broken – let’s see if the limited range of tones will put people off, or compromise the longevity of the product. Tones The effects typically put function before freak-out potential: There’s few deep, ambient space verbs and fractured delay sounds to be found here. Still, with a bit of tinkering and an adventurous spirit you can create a lot of unusual, recording-worthy textures, and the right pairings can make the ME-80 sound very lush. The Line 6 AMPLIFi FX100is a cool piece of kit, with a lot to offer. Line 6 are a brand who are always keen to push technological boundaries, especially when it comes to amps and modeling. One of the key features of the FX100 is its Bluetooth connectivity. With its USB connectivity, the ME-25 is not just a pedal, but it can also be used as an audio interface. It’s here that the amp modeling works best. Hooking it up to your computer and playing straight into your digital audio workstation (DAW), and you’ll be able to record your guitar as if it was coming through one of the amps it emulates. AUX IN: 22k ohms Nominal Output Level -10 dBu Output Impedance 2k ohms Display 7 segments, 2 digits LED Power Supply DC 9 VThere are plenty of alternatives in this price range if the ME-25 isn’t quite doing it for you, but you’re still in the market for a high-quality multi-effects unit. Line 6 AmpliFi FX100 Jos sinulla on kysyttävää Boss tuotteesi käytöstö, ole hyvä ja katso meidän Knowledge Base löytääksesi vastaukset yleisimpiin kysymyksiin.

The Boss ME-30 is also exceptionally well suited for use in home studios. Many functions are accessible only with the keypad, but most of the ones you might want to access in live performance, such as the sampling function, are accessible via foot control. The LCD is unlit, but it glows in the dark for several hours when exposed to light for a brief period. A bright single-digit LED displays which bank of settings you’re in, but whether this is a factory preset or your own creation is shown only in small letters on the LCD. But again, it’ll most likely be used by guitarists in gigging covers bands, so that massive selection of branded sounds might be more for the benefit of the guitarist than the audience. In saying that, the emulations on the RP360XP aren’t terrible.

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Boss ME-70 is a floor-based processor that offers the compact design and simplicity of a stompbox. With dedicated knobs for each section, a new, high-quality COSM engine derived from the GT-10, and added EZ Tone and Phrase Loop features, the ME-70 is the ultimate easy-to-use floorboard powerhouse. I feel many guitarists would favor the fact that it has more buttons and knobs than some of its competitors – it means less scrolling through options and general fiddlingand lends an air of a no-nonsense to the pedal’s design and functionality. While a lot of multi-effects units have an auxiliary line in for connecting external audio, Line 6 have got down with the kids and strapped a Bluetooth receiver to their box, so you can jam to music from your phone or tablet. The AMPLIFi remote app lets you control your tones, right from your Android or iOS device. DigiTech RP360XP Although the pedals and buttons are plastic, they are far from flimsy. It seems pretty durable, reminiscent of the the stuff that Behringer use for their BOSS-influenced pedals. The ME-25 comes with plenty of buttons, more so than cheaper multi-effects units, as well as three knobs. These are used for selecting your effects and tweaking the parameters. For me, I think more buttons is better: it implies there’ll be less scrolling through options, or figuring out which button to press twice, or hold, for you to change its function.