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Dead Men's Trousers (Mark Renton, 5)

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They were nice lads and the fact that they're in soldier uniform is constant proof that a nation state isnae a kind of construct if you urnae rich. Perché, dato il loro stile di vita non proprio morigerato, era inevitabile che qualcuno della banda prima o poi ci lasciasse, e quando questo alla fine accade, ci si sente quasi come aver perso un vecchio amico.

Uh-oh. Ah’m no sure aboot this, man. — What? Is that no illegal, smuggling body parts, like the invasion ay the bodysnatchers n aw that? As Irvine Welsh fans know that these characters are voices for society’s problems. Corruption, Brexit, The Scottish referundum, capitalism , organ harvesting, materialism and prostitution are some of the themes that are expressed in Dead Men’s Trousers. However in the end, the true message is about the strength of friendship : no matter what happens, one will always defend their peers and that comes out clearly, especially in the conclusion. Irvine Welsh writes with style, imagination, wit, and force, and in a voice which those alienated by much current fiction clearly want to hear.”– Times Literary Supplement Which is when things start to go horribly wrong. The four men, driven by their personal histories and addictions, circle each other, confused, angry, and desperate. One of these four will not survive . . . Which one is wearing Dead Men’s Trousers?Begbie, as we learned from The Blade Artist, is outwardly apparently a reformed character and is now Jim Francis, artist and sculptor living in California with his wife and two young daughters. Gone are most of the things which made Welsh great in the first place - the original cultural references, the Scots dialect, the counter-culture/drugs scene, basically anything distinctively to do with contemporary Scottish life. Dead Men's Trousers, like The Blade Artist, feels extremely Americanised (or at least obviously written by an author who no longer spends his time with the people and places he writes about - someone who is out of touch, to say the least). I think this might be one of the bigger reasons why his more recent work fails to hit the mark.

Danny Murphy (Spud) is the only one still living in Edinburgh and is still an addict, spending his days begging on the street for change. Welsh makes these amoral misadventures so propulsive, so joyfully awful, that you have to go with the flow…this roues’ romp is about as much fun as you can have between two book covers.”— The TimesAmong the deeper themes presented herein would be the concept of death. So many funerals. The violence scenes are serious, with the feeling that it can lead to a permanent end at any time. And about the acceptance of it. A beloved old school character even passes, but I won't spoil by saying who. You're nothing but a work-in-progress until that day you fall out of this world into the land ay dead men's trousers. Sto seduto nel mio appartamento a fumare canne e compatirmi. A deprimermi ancora di più con la coscienza esatta di quello che farò per sopportare questo disastro: mi sfonderò di sostanze, e passato l'effetto mi butterò nel lavoro. Lo ripeto fino alla morte. E questa la trappola. Non c'è un dopo. Mark Renton (Rents/Rent Boy) is now manager to a small stable of club DJ’s and spends his life on planes and in hotels, seeing to their every need. The stewardess, not the lovely Jenny I was chatting tae, but a low-rent, pleb-serving, varicose-veined battleaxe, bike-rode into decrepitude over decades by the few hetero pilots, without even a hint of a sparkler thrown into the mix, is right over, her crabbit pus rammed into my coupon.

That said, there's a lot of plot in latter-day Welsh. It's not just about the misery of the human condition by way of a decrepit Scottish junkie setting. This time, there are crazy imaginative scenarios organ transplants and various murders. Dove se non in un romanzo, un barman asporta un rene ad un donatore ignaro seguendo un tutorial su youtube?

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