Fujiyama san wa shishunki. 3.

Product Information

Story - 7: No "real" story, just the relationship between middle schoolers, which is presented quite well. a b c d e f g h i j k l m n o p q r s t 大家さんは思春期！[Ōya-san wa Shishunki!]. Houbunsha (in Japanese) . Retrieved 10 November 2015.

Ooya-san wa Shishunki! ( 大家さんは思春期！, Ōya-san wa Shishunki!, lit. "The Landlord is in Puberty") is a Japanese four-panel manga series written and illustrated by Rurū Minase. A 12-episode anime television series adaptation by Seven Arcs Pictures aired from January 10 to March 27, 2016. a b "Ōya-san wa Shishunki! TV Anime Premieres in January". Anime News Network. 9 November 2015 . Retrieved 10 November 2015.

Interest Stacks

liking it more. The setpieces are REALLY good though (I took quite a few screenshots here and there). Art 9/10: Now let just say this, the art was nothing amazing but for some reason... I really liked it. Reading it felt really nice and I never thought that anything felt out of place and every looked really nice! Before that, I must speak of the characters. The characters are the selling point of this story. I find no problem with them, and scratching down on the surface you begin to see some light on how simple "simple" is. The tl;dr of it is that these characters are legit people, legit humans probably on a relatability scale that hits closer than anything I have seen before. It's weird because what also makes these characters so good is that they undergo very implicit development, to the point where it flows with little notice. Their writing here was made in a way that makes it seem like nothing happens. Which is true. Not a lot of change happens. Nothing too drastic from what my memory serves. But that is what makes them so well, in real life, change happens over a long period of time. Average lifestyle, at least from what I know of Japan, doesn't consist of loud crashes and bangs like anime, specifically s.o.l romcoms, will tell you, people doing the stupidest of teenage things every moment, or some other nonsense that should only exist in a fictional atmosphere. Fujiyama and Kanba are perfect representations of this, they are the kind of people you could probably draw a parallel to someone you know, or have seen, in real life in a school environment. Whilst the two don't have anything of some really deep and intricate development, they are undoubtedly perfect in character representation. People in real life have a simple style of life; it is all the more enforced in this manga. Fujiyama is your athlete kinda girl, a little popular, outgoing-type and aggressive too. Kanba, the less popular childhood friend, is a little more lowkey, perverted, but still quite boyish to some extent. You can't tell me these people don't seem realistic. It isn't just that flat description I have just given, they also have their own motives and emotion to call their own using it to do stuff that may look like a universal action, but still gives them a sense of their solid character to claim as their own. We aren't so different from one another, but we still have something that makes you "you". I would never say that these characters do something for the sake of moving the plot forward either, none of this pointless drama or spontaneous burst random feelings. These characters are what they say they are and it is like that throughout the entire thing. You want some consistent characters? Here are some. I need to talk about the relationship a little too. Fujiyama and Kanba are young people new to this world of love they have allowed themselves into. With young love comes really dumb behaviour on both sides. Like the first being in the very first chapter where Fujiyama just says yes to wanting to go out with Kanba. No question. Just yes. Why? Maybe it is because she wanted to know what it felt like being in love. But I honestly have no clue. What I do know is that it can be looked at as a real response, because, teenagers will do dumb things. The relationship has its times of ups and downs, mostly ups, with it centring around school outings and experience. One or two downs due to teenage struggles. I think it had a real take on the situation of young love quite like something you don't see too often in animanga. It genuinely makes for a really simplistic but absorbing experience to follow up upon because you want to see how it plays out and how nice it is at the end.

a b "Crunchyroll to Stream Ōya-san wa Shishunki! Anime". Anime News Network. 5 January 2016 . Retrieved 6 January 2016. Before I say anything, maybe this isn't the correct thing to say, but Ojiro Makoto has this trilogy of manga that are so simple that they are some of the best things one can read in the romance genre. The three I would like to call out are (from earliest to latest): I had to constantly remind myself these were middle schoolers because the "romance" was mild but it's infinitely better this way. These are 14-15 year old kids, no one would expect more than handholding and awkwardness from them. That aspect is perfectly represented throughout the manga. Characters are adorable and very accurate. Many authors make their characters too mature for their age but Ojiro-san really showed that they're 14. They're adorably innocent and odd make your heart warm with every adventure and antic.

Komik Romantis Seru Lainnya

Character 7/10: I felt like the characters were kinda like the ones from Lovely Complex? I like the whole taller thing but it felt familiar... What is stronger, slice of life or romance? Perhaps slice of life, though the two merge and suppost each other. The characters seem to be embraced by the immence world, they grow out of its soil and are carried by its currents. Yet their love colors and makes the world too in return.

Art style isn't my personal favourite but I got used to it and by the end I didn't bat an eye at it, more so I started All three of these are highly recommended by myself. Do yourself a favour and find time to *binge* them.

An anime adaptation was announced on 17 September 2015, [2] [3] and aired on TV in January 2016. [4] The anime was directed by Yuki Ogawa, with animation by the animation studio Seven Arcs Pictures. Character designs were produced by Atsuki Shimizu, who also served as animation director. The series' music is composed by Arte Refact and produced by King Records and bilibili. [1] It aired on Tokyo MX and Sun TV between 10 January 2016 [6] to 27 March 2016. The series was simulcast worldwide on Crunchyroll. [6] Episode list [ edit ] No. A young man, Maeda, moves into a new apartment, only to find that his new landlady, Chie, is a middle schooler. [2] [3] Characters [ edit ] Residents of the apartment [ edit ] Chie Satonaka ( 里中チエ, Satonaka Chie) Voiced by: Yurika Kubo [1] Maeda ( 前田) Voiced by: Takashi Kondō Reiko Shirai ( 白井 麗子, Shirai Reiko) Voiced by: Hitomi Nabatame Chie's friends [ edit ] Mayu Ueno ( 植野 真由, Ueno Mayu) Voiced by: Ibuki Kido Yuki Miyamura ( 宮村 雪, Miyamura Yuki ) Voiced by: Erii Yamazaki Asuka Mori ( 森 明日香, Mori Asuka) Voiced by: Yuki Nakashima Sakura Kanemoto ( 金本 さくら, Kanemoto Sakura) Voiced by: Kyouko Wada Chie's classmate [ edit ] Kengo Sasaki ( 佐々木 健吾, Sasaki Kengo) Voiced by: Sanae Kobayashi Media [ edit ] Manga [ edit ] The author creates beautiful genre scenes, brimming with life in its little details. The winter scenes in the house of Fujiyama’s grandmother stood out for me – it felt as if you could smell and touch the things in this warm older lady’s home, with its carefully kept old things in covers, neat mementos on shelves, stale candy and, of course, festive cooking. A year goes by, scenes change in small beautiful vignettes, mundane life distilled and turned by the author’s love and effort in eternal moments – a shrine in autumn covered in gingko leaves, a neingbourhood city’s summertime empty library, a schooltrip to Kyoto, city streets gone empty because of a typhoon. Usually it’s about Fujiyama, her family, while she herself is a quietly shining presence, and the main character, who we follow, enters her life and learns about her through this life, carried in by his love and sudden admiration and desire.