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The Amulet Of Samarkand (The Bartimaeus Sequence)

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The Ring of Solomon revisits the universe created in the Bartimaeus Trilogy, although the setting shifts from modern London to Jerusalem, 950 BC. It follows the djinni's adventures during the reign of King Solomon, who was frequently referenced in the footnotes during the trilogy. It was released in the United Kingdom on 14 October 2010 and in the U.S. on November 2, 2010. The story revolves around the troubles Bartimaeus faces while enslaved to Solomon's magicians, as he gets caught between the plots of his master to overthrow Solomon, and the schemes of Asmira, captain of the guard of the Queen of Sheba, who was sent by her to assassinate Solomon.

And speaking of the characters, they were completely delightful, even if not always likable. And the demons – omgsh the demons. They start out as these wildly interesting (and dangerous) enigmas that give you even more reason to keep reading. I also loved learning about summoning demons and watching one of the main characters struggle to get it right. The combination of the magic, world-buildings, and mystery plot made for one of the most enjoyable things I’ve read in ages. And that’s across ALL genres, not just middle-grade books. I am really into children's books, YA fantasy, it´s so easy to consume in between, so interesting to see how the same tropes and ideas are used in easier to understand contexts, how humor is executed, and how the characters perform in contrast to the adult comedic fantasy, etc. and what should I say, many of these works are much better than average, not bad, novels just for adults. Because kids and teens don´t like getting bored with bad writing, so everything has to be even more perfected than for older readers. If you want an ingenious hybrid of Riordan, Pratchett, and comedic fantasy in general, you now know where to go. At the tender age of six years, Nathaniel is taken from his parents and apprenticed as a learning magician to Arthur Underwood, a minor functionary in a dark and fantastical English government. This bleak London's parliamentarians and upper crust are members of a greedy, self-serving ruling class of magicians and everyone else is disparagingly referred to as a "commoner". When Nathaniel encounters Simon Lovelace, a brutal, ruthless magician whose ambition knows no limits, Lovelace chooses to openly display his terrifying power and publicly humiliates Nathaniel while Underwood stands meekly by doing nothing to defend his young charge who has barely begun to learn the rudiments of his magical craft. Angered beyond endurance, Nathaniel decides to secretly accelerate his own learning and begins to plot his revenge against Lovelace.

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It's tempting to compare the book to the Harry Potter series. Young boy. Magic. Sneaking around. Breaking the rules. Stern teachers. But the similarities really end there. I admit, I only read the graphic novel adaptions of books I like to see what an artist would do with it. I don't take it seriously at all, and with this, that's a good thing.

This has everything, extremely good writing, a fresh, new setting that still hasn´t been assimilated by mainstream, many ideas from classic mythology, an alternative history uchronia setting, and just loads of innuendos and jokes that are definitively aimed at adults and kids alike.Notes: Too precious, wears, gets hard to care, its hero whines a lot, quite byzantine, excitement-lean, more filigree than plot.

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