seven methods of killing kylie jenner (Oberon Modern Plays)

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And why those of us who, like Kylie Jenner, have been born white or wealthy or more privileged, must do much more to listen, to understand, to redress. To lighten the load others have been shouldering for generations. The setting of the story is modern-day England. Half of the play takes place IRL (in real life), mostly in Cleo’s bedroom, while the other half takes place online. One of the most significant elements of the play is its use of language. The play relies on modern language inspired by internet speak and includes elements such as memes and pop culture references. In particular, @INCOGNEGRO’s tweets make clever use of language and are written like poems.

When leading international news organisations join the conversation, Cleo is thrilled. Her words are on the world stage, and she is finally heard. Memes of Kermit the Frog sipping tea and Oprah Winfrey colour the conflict, but then the trolls get deeper, darker and dirtier. Offensive to the extreme. Rajah Shakiry’s set consists of a tangled network of ropes, with dozens of strands hanging down on the performers – the multiple threads of social media made tangible. There are moments of visual wit, too, and Elena Peña’s intricate sound design both drives and punctuates the action. The tweets they perform are by turns funny, angry and deeply offensive, complete with laughs and screeches, acronyms (LOL, FFS, OMG) and monkey impressions enacted from the racist tweets. Forbes Magazine claims Kylie Jenner’s a 'self-made billionaire' and Cleo isn’t having a bar of it. She’s got a lot to say and on the internet, actions don’t always speak louder than words…

Reviews

YT woman born into rich American family, somehow against all odds, manages to get more rich…” [slow hand clap]

Read more: Idris Elba’s Tree at Manchester International Festival: ‘A shallow exploration of roots’ Seven Methods of Killing Kylie Jenner’ transfers to the Royal Court’s Downstairs Theatre to open its 2021 season. This review is from its debut Upstairs in July 2019. Leanne Henlon replaces Danielle Vitalis. Jasmine Lee-Jones won multiple awards for her debut play directed by Milli Bhatia including the Evening Standard and Critics’ Circle Most Promising Playwright Awards, and the Alfred Fagon Award. She originally developed as a writer through the Royal Court Theatre’s Young Court programme as part of their commitment to nurturing new voices. Milli Bhatia was previously Trainee Director and Literary Associate at the Royal Court and is now an Associate Director. The final scene, THE POST-MORTEM is the only scene where the language used is typical spoken language without any examples of internet language. The scene is also significant because it helps the characters move on from their past trauma. Jasmine Lee-Jones won multiple awards for her debut play directed by Milli Bhatia including the Evening Standard and Critics’ Circle Most Promising Playwright Awards, and the Alfred Fagon Award. She originally developed as a writer through the Royal Court Theatre’s Young Court programme as part of their commitment to nurturing new voices. Milli Bhatia was previously Trainee Director at the Royal Court and is now a Literary Associate.Following the successes of its sold-out 2019 premiere and subsequent run in 2021, the award-winning seven methods of killing kylie jenner by Jasmine Lee-Jones, directed by Royal Court Associate Director Milli Bhatia, will be available to stream worldwide for three weeks from Sunday 27 March 2022, World Theatre Day. The cast features Tia Bannon and Leanne Henlon. Other events include: Guardians of the Galaxy: The Live Immersive Experience (Secret Cinema); Winter Light (commissioned by the Museum of the Home)

In the vacuum of the tweetstorm, Cleo’s childhood friend Kara (Iolanthe) arrives to offer support. With spoken word styling, their fast-and-sharp tweet readings are synchronised with sashaying grace, groovin’ high-definition moves and the high-octane AI thrumming of a chain of identical emojis: hahahahahahahahahaha. As the threats continue, the friendship is put to the test. ‘What’s you’re suffering from is an acute case of lightyitis,’ Cleo tells the paler skinned Kara. ‘You might as well be calling me a half breed,’ Kara retorts.Cleo wants to kill Kylie Jenner. Her friend Kara just wantsCleo to chill out and stop tweeting elaborate death threats about Insta-celebrities: the title’s ‘Seven Methods of Killing Kylie Jenner’. But for Cleo, the success of 21-year-old ‘self-made millionaire’ Jenner taps into something much deeper. Jasmine Lee-Jones’s powerfully original debut play follows these two female friends having the most blistering, agonising, meme-scattered row of their lives. Nothing’s off-limits, from primary school humiliations to the vast structural privilege that light-skinned women have. As director, other theatre includes: Chasing Hares (Young Vic); seven methods of killing kylie jenner (Riksteatern/Kulturhuset Stadsteatern/Swedish National tour); Dismantle This Room, The Hijabi Monologues (Bush); My White Best Friend (and Other Letters Left Unsaid) (Bunker); I’m Tired Of Waiting, Someone Pass Me The Duct Tape, (Stratford East). Both Henlon and Bannon truly excel in their roles. Henlon brings a raw grit and determination to the character of Cleo, while ensuring she remains likeable. Bannon delivers clever one-liners, which make the audience laugh out loud. Their easy banter in the first section, and later, the hurt they display when recounting upsetting situations in the past feels so genuine, it is easy to forget that we are watching a play. Taking the blessing of community connections to the next level, Seven Methods of Killing Kylie Jenner at the Malthouse Theatre comes with post-show Vyb Nyts. Ambient lights, DJs, performances and delicious food make for the perfect atmosphere to pay homage to women, education, creativity, intelligence and the joy of being part of the brethren. seven methods of killing kylie jenner was originally part of the Royal Court’s Jerwood New Playwrights programme, supported by Jerwood Arts.

As director, for the Royal Court: Baghdaddy, Maryland, seven methods of killing kylie jenner, Living Newspaper, My White Best Friend (and Other Letters Left Unsaid), This Liquid Earth: A Eulogy in Verse [Edinburgh International Festival], Half Full (& RWCMD), Dismantle This Room. Film includes: seven methods of killing kylie jenner, Living Newspaper (Royal Court); HOME(BODY) or The Tall Story (Young Vic); Tiny Dancers (NYT); Yash Gill’s Power Half Hour. Maturure and Awosoga are ~insert multiple fire emojis~: their brazen performances bounce off each other, and they completely command the stage. Even when you’re trying not to let lost between their slightly unrealistic Gen Z speak (acronyms like IDK to S2g to FFS), their mannerisms alone – alongside Sebbens’ eagle-eyed staging – are substantial enough to grasp the dynamics of their unswerving friendship. This is a desperately topical play that wears the politics of gender, identity and race on its sleeve – sometimes too much so. Cleo and Kara openly debate the issues and while they deliver hard-hitting messages, it sometimes feels as if the characters have stepped outside the drama to comment on the world. And despite the intrigue of the title, it feels fairly plotless and sometimes static, even though Lee-Jones’s dialogue is acerbic and entertaining.

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For the Royal Court: two Palestinians go dogging, seven methods of killing kylie jenner, Maryland, Living Newspaper, Baghdaddy. Jasmine Lee-Jones won multiple awards for her debut play directed by Milli Bhatia including the Evening Standard and Critics’ Circle Most Promising Playwright Awards, and the Alfred Fagon Award. She originally developed as a writer through the Royal Court Theatre’s Young Court programme as part of their commitment to nurturing new voices. Milli Bhatia was previously Trainee Director at the Royal Court, and is now an Associate Director. Cleo and Kara have grown up with social media, and are comfortable with its abbreviations: their conversation is dotted with WTF, FFS, IDK and IRL among others. No need to spell out the sentiments: the verbal emoji’s speak for themselves. As assistant director, for the Royal Court: Inside Bitch (& Clean Break), Poet in da Corner, One For Sorrow, Instructions for Correct Assembly, Girls & Boys.