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a b Levinson, Jerrold (2003). "Philosophical Aesthetics: An Overview". The Oxford Handbook of Aesthetics. Oxford University Press. pp.3–24. Archived from the original on February 10, 2021 . Retrieved February 10, 2021. Roger Scruton, The Aesthetic Understanding: Essays in the Philosophy of Art and Culture (1983) ISBN 1890318027 Dewey, John. (1932)'Ethics', with James Tufts. In: The Collected Works of John Dewey, 1882–1953 Edited Jo-Ann Boydston: Carbonsdale: Southern Illinois University Press. p. 275.

For David Hume, delicacy of taste is not merely "the ability to detect all the ingredients in a composition", but also the sensitivity "to pains as well as pleasures, which escape the rest of mankind." [21] Thus, sensory discrimination is linked to capacity for pleasure. Guy Sircello, "How Is a Theory of the Sublime Possible?" The Journal of Aesthetics and Art Criticism The word "beauty" is often [ how often?] used as a countable noun to describe a beautiful woman. [83] [84] Fasolini, Diego (2006). "The Intrusion of Laughter into the Abbey of Umberto Eco's The Name of the Rose: The Christian paradox of Joy Mingling with Sorrow". Romance Notes. 46 (2): 119–129. JSTOR 43801801.In another essay, " The Affective Fallacy," which served as a kind of sister essay to "The Intentional Fallacy" Wimsatt and Beardsley also discounted the reader's personal/emotional reaction to a literary work as a valid means of analyzing a text. This fallacy would later be repudiated by theorists from the reader-response school of literary theory. One of the leading theorists from this school, Stanley Fish, was himself trained by New Critics. Fish criticizes Wimsatt and Beardsley in his essay "Literature in the Reader" (1970). [46] Gaut, Berys; Livingston, Paisley (2003). The Creation of Art. Cambridge University Press. p.3. ISBN 978-0521812344. Holm, Ivar (2006). Ideas and Beliefs in Architecture and Industrial design: How attitudes, orientations, and underlying assumptions shape the built environment. Oslo School of Architecture and Design. ISBN 8254701741. A. Moles: Théorie de l'information et perception esthétique, Paris, Denoël, 1973 ( Information Theory and aesthetical perception) Vartanian, Oshin; Navarrete, Gorka; Chatterjee, Anjan; Fich, Lars Brorson; Leder, Helmut; Modroño, Cristián; Nadal, Marcos; Rostrup, Nicolai; Skov, Martin (June 18, 2013). "Impact of contour on aesthetic judgments and approach-avoidance decisions in architecture". Proceedings of the National Academy of Sciences of the United States of America. 110 (Suppl 2): 10446–10453. doi: 10.1073/pnas.1301227110. PMC 3690611. PMID 23754408.

Władysław Tatarkiewicz, A History of Six Ideas: an Essay in Aesthetics, The Hague, 1980. ISBN 978-9024722334 a b c d e f g h i j k l "Beauty and Ugliness". Encyclopedia.com. Archived from the original on December 24, 2021 . Retrieved February 9, 2021. Manaris, B., Roos, P., Penousal, M., Krehbiel, D., Pellicoro, L. and Romero, J.; A Corpus-Based Hybrid Approach to Music Analysis and Composition; Proceedings of 22nd Conference on Artificial Intelligence (AAAI-07); Vancouver, BC; 839–845 2007. Eco, Umberto (1988). The Aesthetics of Thomas Aquinas. Cambridge, Mass: Harvard Univ. Press. p. 98. ISBN 0674006755. Akiba, Fuminori (2013). "Preface: Natural Computing and Computational Aesthetics". Natural Computing and Beyond. Proceedings in Information and Communications Technology. 6: 117–118. doi: 10.1007/978-4-431-54394-7_10. ISBN 978-4431543930.Gregory Loewen has suggested that the subject is key in the interaction with the aesthetic object. The work of art serves as a vehicle for the projection of the individual's identity into the world of objects, as well as being the irruptive source of much of what is uncanny in modern life. As well, art is used to memorialize individuated biographies in a manner that allows persons to imagine that they are part of something greater than themselves. [103] Criticism [ edit ] Lyotard, Jean-Françoise, "Scriptures: Diffracted Traces", in Theory, Culture and Society, Volume 21, Number 1, 2004. Jadranka Skorin-Kapov, The Intertwining of Aesthetics and Ethics: Exceeding of Expectations, Ecstasy, Sublimity. Lexington Books, 2016. ISBN 978-1498524568 In the Middle Ages, Catholic philosophers like Thomas Aquinas included beauty among the transcendental attributes of being. [49] In his Summa Theologica, Aquinas described the three conditions of beauty as: integritas (wholeness), consonantia (harmony and proportion), and claritas (a radiance and clarity that makes the form of a thing apparent to the mind). [50] Gorodeisky, Keren (2019). "On Liking Aesthetic Value". Philosophy and Phenomenological Research. 102 (2): 261–280. doi: 10.1111/phpr.12641. ISSN 1933-1592. S2CID 204522523. Archived from the original on 8 October 2021 . Retrieved 26 May 2021.

a b Chio, Cecilia Di; Brabazon, Anthony; Ebner, Marc; Farooq, Muddassar; Fink, Andreas; Grahl, Jörn; Greenfield, Gary; Machado, Penousal; O'Neill, Michael (2010). Applications of Evolutionary Computation: EvoApplications 2010: EvoCOMNET, EvoENVIRONMENT, EvoFIN, EvoMUSART, and EvoTRANSLOG, Istanbul, Turkey, April 7–9, 2010, Proceedings. Berlin: Springer Science & Business Media. p.302. ISBN 978-3642122415. Shimura, Arthur P.; Palmer, Stephen E. (2012). Aesthetic Science: Connecting Minds, Brains, and Experience. Oxford University Press. p.279. a b Phillips, Mike (January 29, 2005). "Review: On Beauty edited by Umberto Eco". the Guardian . Retrieved June 3, 2023. Gary Tedman has put forward a theory of a subjectless aesthetics derived from Karl Marx's concept of alienation, and Louis Althusser's antihumanism, using elements of Freud's group psychology, defining a concept of the 'aesthetic level of practice'. [102]Riedel, Tom (Fall 1999). "Review of Encyclopedia of Aesthetics 4 vol. Michael Kelly". Art Documentation: Journal of the Art Libraries Society of North America. 18 (2): 48. doi: 10.1086/adx.18.2.27949030.