The Phantom of the Opera Christine Daae Cosplay Costume Ball Gown Vintage Evening Dress

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A live recording of The Phantom of the Opera at the Royal Albert Hall was released in the UK on 15 November 2011 and subsequently in the US and Canada on 7 February 2012, [172] along with Blu-ray and DVD videos, and a collectors' box set of the Royal Albert concert, the original cast recording, and the sequel, Love Never Dies. [172] [17] Sales and certifications [ edit ] Original 1986 London production [ edit ] Chart (1987+) LBC | Internal works to the stage area including alteration to the proscenium, boxes and orchestra pit and repainting of the ceiling. | Her Majestys Theatre 72–78 Haymarket London SW1Y 4QL". idoxpa.westminster.gov.uk . Retrieved 12 February 2021. Maria Björnson designed the sets and over 200 costumes, including the elaborate gowns in the "Masquerade" sequence. Her set designs, including the chandelier, subterranean gondola, and sweeping staircase, earned her multiple awards. [33] [34] Hal Prince, director of Cabaret, Candide, Follies, and Lloyd Webber's Evita, directed the production, while Gillian Lynne, associate director and choreographer of Cats, provided the integral musical staging and choreography. Prince, Harold (2017). Sense of occasion. Milwaukee, WI. pp.242–43. ISBN 978-1-4950-1302-7. OCLC 971348709. {{ cite book}}: CS1 maint: location missing publisher ( link)

The director describes Bjornson as "a consummate storyteller who was never afraid of great beauty," dubbing the designer "traditionalist and conservative" in the aesthetic sense. "It's not often fashionable now to desire something to be drop-dead gorgeous," says Zambello, "but that's what she was dedicated to."Best Lighting Design - Andrew Bridge (1988) Major productions of Andrew Lloyd Webber's The Phantom of the Opera Citron, Stephen (2001). Sondheim and Lloyd-Webber – The New Musical. Great songwriters. Oxford University Press. p.330. ISBN 0-19-509601-0.

Raoul plots to use the première of Don Juan Triumphant to trap the Phantom and end his reign of terror, knowing he will attend the opera's debut. He begs Christine to help lure the Phantom into the trap ("Notes/Twisted Every Way"). Torn between her love for Raoul and her awe of the Phantom, Christine visits her father's grave, begging for his guidance ("Wishing You Were Somehow Here Again"). The Phantom appears atop the mausoleum ("Wandering Child"). Christine begins to succumb to the Phantom's influence, but Raoul arrives to rescue her. The Phantom taunts Raoul, hurling fire balls at him until Christine begs Raoul to leave with her. Furious, the Phantom declares war upon them both. Hungary: Madách Theatre, Budapest. This production, which began in 2003, was the first to modify the original staging with new sets, costumes and direction. The five hundredth performance on 20 September 2007 featured four successive sets of casts. [89] Keddy, Genevieve Rafter (25 January 2018). "Photos: The Phantom of the Opera Take its 30th Anniversary Bows". BroadwayWorld . Retrieved 26 July 2021.Wild, Stephi (11 February 2021). "Redesigned Her Majesty's Theatre Will 'Blur the Boundary Between Stage and Auditorium' for West End's THE PHANTOM OF THE OPERA". Broadwayworld . Retrieved 19 April 2023. Propst, Andy. Broadway's Phantom of the Opera to Reach Historic 9,000th Performance on 17 September TheaterMania.com. 14 September 2009. Björnson spent much of her career designing for opera and ballet, coming to musicals later in life. She passed away in 2002 and Fleming, having joined the production in 1989, has been the definitive voice in the room when it comes to costumes ever since—from building new costumes for new cast members to arranging repairs for the mountains of hand-sewn beading. Guld- och Platinacertifikat − År 1987−1998" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 17 May 2011 . Retrieved 7 August 2012.