Playboy Magazine, December 1990

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Other recognition [ edit ] Sherilyn Fenn (right) with a Killer BOB cosplayer (left) in London, England, 2017. a b c d Walstad, David (May 21, 1995). "Legendary Portrayal". The Philadelphia Inquirer TV Week. US. pp.4–5. a b "Landlords: Actress Owes Thousands In Unpaid Rent, Trashed House". KNBC. September 19, 2007. Archived from the original on July 13, 2011. I don't get considered for a lot of those big fat movies. The studios have their list of five actresses and whether they're right or wrong for a role doesn't matter. It's how much money their last movie made," [37] she said. "Not that I necessarily want to do them anyway. Because there's very few that are big budget that have any substance or any depth or any integrity." [15]

In 1991, Hollywood acting coach Roy London chose her to star in his directorial debut Diary of a Hitman, in which she plays a young mother determined to protect her child from hitman Forest Whitaker. According to Fenn, the turning point in her career was when she met London in 1990. She credits him with instilling confidence and newfound enthusiasm. In 1996, the Daily Mirror chose her as one of the "World's 100 Most Beautiful Women", and Femme Fatales chose her as one of the "50 sexiest sci-fi actresses". [61] I was disillusioned with acting after the pilot of Twin Peaks. I'd been doing low-budget films. I didn't want to walk through movies being a pretty ornament. At 25 I didn't know if I had it. I questioned if there was depth, if there was integrity to me. I was longing to go inside, to do deeper work. [21] Daddle-shod, bobby-soxed, white bloused, cardigan-sweatered, pleated skirted, with a face that could launch a thousand limos, Audrey Horne is the definitive high school femme fatale. She’s a sort of combination of Dobie Gillis’ Thalia Menninger and Ava Gardner in Pandora and the Flying Dutchman, maybe a little Moriticia Addams, too. Two Familiar Faces Return To 'Twin Peaks' From Beyond The Grave". Bloody-Disgusting.com. January 13, 2015 . Retrieved February 28, 2015.Sherilyn Fenn: Fenn de Siecle". Movieline. January 7, 1993. Archived from the original on December 28, 2010 . Retrieved October 8, 2010. David Walstad. "Legendary Portrayal." The Philadelphia Inquirer TV Week (US). May 21, 1995. pp. 4–5. In 2006, Fenn reteamed with Amy Sherman-Palladino and reappeared in the sixth and seventh seasons of Gilmore Girls as Anna Nardini, the ex-girlfriend of Luke Danes (played by Scott Patterson) and protective mother to his daughter April. Since the failure of the 2003 Gilmore Girls spin-off project, Sherman-Palladino had continued to want to work with Fenn again, and she wrote the character of Anna with her in mind. [44] When asked why she cast Fenn for two different roles on Gilmore Girls, Sherman-Palladino explained:

Haynes, Monica (July 21, 2006). "Sherilyn's "Dukes," Xtina's disc and an unexpected visit for Colin". Post-Gazette.com . Retrieved February 20, 2014. Sherilyn Fenn (born Sheryl Ann Fenn; February 1, 1965) is an American actress. [1] She played Audrey Horne on the television series Twin Peaks (1990–1991, 2017) for which she was nominated for a Golden Globe Award and an Emmy Award. Tranquil, fluid, wavy Sherilyn is an Aquarius. She has psychic abilities; she can tell when people are lying. She doesn’t like parties, she doesn’t like clubs, she likes restaurants, especially ones with great Italian food and good chianti. She is part Italian (Quatro is short for Quatrocchio), part Irish (Fenn), part Hungarian (rebel) and part French (Chanel). She hasn’t had a tan in years and, on reflection, never really liked having one. She likes cold, rainy weather. Nominated for a Golden Globe Award for Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for TV – Twin Peaks Sherilyn Fenn, quoted in "Fenn de Siècle" by Joshua Mooney. Movieline. July 1993. pp. 36–40, 80–82.

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I liked the hard-core truth of Rude Awakening. But when I first read it, I was scared of it. Part of me was, like, it's so unattractive! But I liked that it didn't glamorize alcohol. And what's admirable about Billie is that she's a straight shooter. She doesn't have a lot of pretense. It's like, 'Take me as I am. You like me, fine! You don't, I don't give a damn!' There's something quite empowering about somebody who doesn't care what other people think. Billie is learning about herself. She's recognized that she has a problem with drugs and alcohol, and she's trying to straighten it out. [31] However, after Sherman-Palladino left the show, the direction for the character changed—the producers decided to make her character a villain in a custody battle. Maybe she will, if she gets her diploma. Does she find her director a strange bird, a “Jimmy Stewart from Mars,” as Mel Brooks has described him? Not at all. He’s a hard-working, caring director. A pal. Lucid, sculptural, unpresumptuous Sherilyn Fenn made her movie debut at 17. In Yugoslavia. Playing a shy rich girl, a sort of Yugoslavian coed Lord of the Flies. “I remember blowing my first scene. I said, ‘Cut!’ I didn’t know the director was supposed to say that.”