Crossroads VI: 6

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I recall there was a storybook character called Clumsy Charlie who made Benny giggle a lot. I think the storyline probably made people aware that there were a lot more people than they realised that had difficulties through one reason or another. I mean Benny could learn to read but nobody had taken the time. I mean don’t forget we still do that now don’t we? And they started bringing in these new families – not that they weren’t good – but nobody was interested because as I said you need an established person to initiate the new characters. And then, of course, he brought in the upmarket Benny to work with me instead of Sue and it just didn’t work. I was suddenly one of the main characters who’s been in it all the time and of course whereas it could be a bit, you used to get a bit scared in some ways or nervous when it was all the old guard, suddenly it was all the new guard and they were looking at you like you were the old guard and you’ve never gone through it! And when they got rid of Sue, it probably was a toss-up between me and Sue and I think they probably thought “Well, we can get rid of Benny eventually”. In 1986, the new character Ray Grice played by Al Hunter Ashton was introduced as part of an attempt to create wider storylines. [6] Willie helps Eugene buy a portable Pignose amplifier, through which Eugene plays his old Fender Telecaster. Willie tells Eugene that the secret of playing the blues is using a slide. Willie confesses that there is no missing Johnson song, but tells the boy that he has proven himself far beyond what learning any blues song could ever teach him.

Chance of precipitation represents how likely it is that rain (or other types of precipitation, such as In one well-known storyline, Miss Diane taught Benny to read which I believe led to a national literacy campaign. Can you tell us about the impact that that storyline had? Now all he had ever done was an editor on The Archers and really what he should have done was say “No I don’t want to do Crossroads let’s finish it and I’ll do a new series with my new characters.” Bars 19 & 23 (p.69): The rhythm in beat 1 has been changed to eighth note, eighth note. The pitches and tablature are unchanged.In the funk stylistic study (no. 2) staccato dots have been added to the first four chords (quavers / eighth notes). (Updated 14 July 2022) Stories of the Crossroads: Blues Myths Did Robert Johnson Really Sell His Soul to the Devil?". National Blues Museum. 31 October 2020 . Retrieved 28 February 2021. This Is Your Life – 18.8, 2 – Rising Damp – 18.2, 3 – Coronation St – 17.4, 4 – Mixed Blessings – 16.7, 5 – Armchair Thriller – 16.3, 6 – Whodunnit? – 15.7, 7 – Wilde Alliance – 15.2, 8 – Get Some In – 15, 9 – Coronation St – 14.9, 10 – Crossroads – 14.5, 11 – Celebrity Squares – 14.5, 12 – Sale Of The Century – 14.5, 13 – Crossroads – 14.2, 14 – Crossroads – 13.9, 15 – Crossroads – 13.6

period (more than 10 seconds) means the waves at the beach may be more powerful. Lifeguards can give you This Is Your Life – 19.5, 2 – Mind Your Language – 18.2, 3 – Miss Jones & Son – 18.1, 4 – Coronation St – 18, 5 – Coronation St – 18, 6 – Maggie & Her – 17.7, 7 – Professionals – 17.4, 8 – Crossroads – 17.2, 9 – Crossroads – 17, 10 – Crossroads – 16.9, 11 – Crossroads – 16.9, 12 – General Hospital – 16.8, 13 – Wilde Alliance – 16.6, 14 – Rising Damp – 16.3, 15 – George & Mildred – 16.2 Well, I think getting married to Maureen, that’s when we went to number one in the TV charts and everything during that period, we were 1, 2, 4, and 5 over that period. I always said, you see, Benny was the big feller, you know you always got the small feller who got the sympathy, and Benny was the big, lumbering, child-like person, you know. Further changes were introduced in March 1985, when new filming locations, sets and characters were introduced. Many storylines began to revolve around the new motel owner, Nicola Freeman (played by Gabrielle Drake). More long-term characters, such as David and Barbara Hunter, were axed. The theme tune was also updated, and the opening titles replaced with a longer version. Finally, the show was renamed Crossroads Motel– although this fact was never formally announced by the show’s production team and the word “Motel” was simply incorporated into the opening titles. The closing titles, which had scrolled in multiple ‘crossroad’ directions since the earliest episodes, were replaced with conventional scrolling credits.

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The budget for the music was low and it would have to be recorded in a TV studio in Birmingham – not the perfect acoustic conditions in comparison with the dedicated music recording studios I was used to. ... The original theme was actually two tunes. Each one represented one of the families and these tunes could be played separately or, because they shared the same chord sequence, together in counterpoint with each other. ... As the budget was small I decided to use a small rhythm section plus a harp and feature the first theme on a 12-string guitar with the second theme played on the oboe. Right at the beginning I put the famous 9-note motif – the call-sign which gets the family in front of the TV set. [28] In 1970, Jill married John Crayne (Mark Rivers), who, it turned out is already married with a wife and two young daughters living in Switzerland. Jill had therefore married a bigamist, making the marriage null and void; this led Jill to attempt suicide. Following her recovery, Jill turned her attention to down-to-earth electrician Stan Harvey (Edward Clayton), whom she married the following year. In 1975, Jill gave birth to a daughter, Sarah Jane Harvey (Sorrel Dunger). In 1977, Stan spent some time on business in Germany and it was during his absence that Jill had an affair with her step-brother, Anthony Mortimer ( Jeremy Sinden) to whom she became pregnant, with their child Matthew, who was subsequently born in 1978. Despite trying to reconcile, Jill and Stan's marriage ended in him winning a bitter custody battle, which led to him and Sarah Jane moving to Germany. Anthony thereafter took Matthew to live in New York. Jill had a one-night stand with a television engineer, and again attempted suicide. Jill meets womanising accountant and later Crossroads manager Adam Chance (Tony Adams) on Christmas Day 1978, and in 1983 they are eventually married. This said, by 1988, Jill leaves Adam for a new life with publican John Maddingham ( Jeremy Nicholas).