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The Slummer: Quarters Till Death

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Grandmother takes cigarette breaks to keep her chatty granddaughter, Sophia, at bay, and she favors crawling, on all fours, when her dizziness is bad. It is beautifully done. What might, in less skilful hands, have been mawkish or twee, maintains to the last sentence a precise and rigorous habit of observation, an acute sense of the play of emotion between people and the landscape they inhabit, and a remarkable ability to render accurately the emotions of the very old and the very young.’ Jane Shilling, The Scotsman The Summer Book is pure loveliness. The movements of tides and winds and boats and insects loom larger for our narrator than the currents of history, and the profound quiet of the setting—I'm reminded of Akhil Sharma's description of a prose like "white light"—allows us to hear Jansson's unsparing and ironic tenderness, a tone that remains purely her own, even in translation. Eriksson was small and strong and the colour of the landscape, except that his eyes were blue. When people talked about him or thought about him, it seemed natural to lift their heads and gaze out over the sea […. A]s long as he stayed, he had everyone's undivided attention. No one did anything, no one looked at anything but Eriksson. They would hang on his every word, and when he was gone and nothing had actually been said, their thoughts would dwell gravely on what he had left unspoken. There is nothing comforting about it, and yet if you are afraid to see it in his own terms and look to it for comfort, for solace, you’ll be left worse off than you were before”.

The Summer Book - Wikipedia The Summer Book - Wikipedia

The grandmother isn't quite a substitute, even though at one point Sophia tries to make her more of one, experimenting with calling her: "Mama". Die Idylle ist in diesen Episoden so flüchtig wie die kurze Zeit im Frühsommer, in der das Moos blüht und die ganze Insel mit einem warmen, kaum sichtbaren Schleier überzieht. Der Rest ist Nüchternheit, Sturm, prekäres Gleichgewicht." - Monika Osberghaus, Frankfurter Allgemeine ZeitungAs I read this book, it is the dead of winter here in Calgary. It was lovely to imagine being on an island where the sun is shining (except for when it stormed). Every so often, a book is published that captures something in us … The Summer Book is one of those.” Rachel Simhon, The Daily Telegraph My Review: I am a person who likes quiet. My home environment, when I'm able to force my will on my roommate, is free of audio pollution like TV and radio. Perhaps in compensation, I love spy stories and space-war epics and historical novels with battles, explosions, near misses with the main character dangling from rooftops...the very essence of un-quiet. D'Alessandro, Anthony (2 March 2023). "Glenn Close To Star In Charlie McDowell's Feature Take Of Finnish Novel 'The Summer Book' ". Deadline Hollywood . Retrieved 3 March 2023.

The Summer Book (New York Review Books Classics) The Summer Book (New York Review Books Classics)

It also feels, as we navigate the climate crisis and generational culture wars, highly relevant. The slim volume tells the story of a grandmother and granddaughter exploring, arguing and playing together during a summer on the island. As Smith puts it: “It would be easy to be sentimental here. Jansson never is.” Instead, she uses this intergenerational relationship to highlight the importance of respect: for one another, for differing opinions and for the planet. It’s a notably open-minded book, which is perhaps reflective of the open-minded life that Jansson and her family lived. Tove’s poking fun at what people might think is normality Jansson was a genius, a woman of profound wisdom and great artistry, and this is a book to treasure.” Philip Pullman The writing is lovely. The characters are charming and real. The stories give an immersive look at the as-yet-otherwise-unknown-to-me experience of a Scandinavian summer that feels totally new, and simultaneously gives a look at a childhood summer that is so familiar and comfortable and nostalgic.I am drawn, always, to stories set in wild locales, especially beaches, and it's part of the reason why “Cast Away” is one of my favorite films of all time and why “Jimmy” from Ms. Atwood's Oryx and Crake is a literary love of mine. (Jimmy may be homeless after the Apocalypse, but he holds the appeal of the original Adam, and how's about that beachfront property?).

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