Remnant Kings

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They released three further albums for Fellside, Bellow in 2003 and the companion discs, Songs and Tunes both released in 2005. Spiers & Boden then signed to Navigator Records releasing the themed Vagabond in 2008 and retrospective album The Works in 2011. The latter marked their 10th anniversary as a recording duo. They toured that year and collaborators from The Works joined them on stage, with a finale at London's Shepherd's Bush Empire featuring many guests. Boden was commissioned to compose a short choral piece for The Bristol Proms 2015, which was performed at Bristol Old Vic Theatre by Erebus Ensemble, a 40-voice choir. Remnant King gigs were also notable for singing sessions organised after the show, either within the venues or at nearby pubs. This saw the band congregate around a table with various audience members, all singing folk songs unaccompanied. The idea was later developed with Bellowhead with the band engaging in regular after show sessions on their tours. Boden discussed the importance of these events in this key-note speech for the English Folk Expo in 2014. [8]

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Post moderation is undertaken full-time 9am-6pm on weekdays, and on a part-time basis outwith those hours.With hits such as New York Girls, Roll Alabama and Roll the Woodpile Down, Bellowhead cemented themselves as prominent figures in the folk industry. Jon Boden & The Remnant Kings (54757907) Boden also fronts his own band the Remnant Kings, put together in 2009 to perform his post-apocalyptic song cycle Songs From The Floodplain. He has also made contributions as a fiddler, singer and guitarist, to three albums with Fay Hield& The Hurricane Party. [3]

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In 2013 Boden joined the Sacconi Quartet to perform Elvis Costello and the Brodski Quartet's Juliet Letters at The Bristol Proms. In 2015 they repeated their performance at The Sacconi Quartet's own Chamber Music Festival in Folkestone and at the Lichfield festival. [10] Kingslayer is one of the best damage-dealing Traits available, outranked only by Executionersimply because you need to be able to actually critically hit before Critical Damage gives any benefit.Boden holds a master's degree in Composition for Theatre [5] and has worked on theatrical productions, including two plays with the Royal Shakespeare Company. In 2012 he was commissioned to create a stage show based on The Ballad Of Little Musgrave And Lady Barnard as part of the Benjamin Britten centenary celebrations. Paul also worked as a vocal tutor at St Edward’s school, Oxford, and in 2000 became a deputy lay clerk in Winchester Cathedral choir. Having worked closely with Boden, Paul was invited to join his band the Remnant Kings in 2009 to perform Boden’s post-apocalyptic song cycle Songs from the Floodplain. At the start of 2013, Boden was commissioned by Jonathan Reekie, the musical director of Aldeburgh Music to create the show based on Benjamin Britten's The Ballad Of Little Musgrave And Lady Barnard. It was part of a wider global programme of events to celebrate Britten's centenary. The resulting piece used Britten's setting of the ballad for male voice choir, interspersed with five ‘interpolations’ composed by Boden, with lyrics co-written by him and Mary Hampton. The soloists were Mary Hampton, Tim van Eyken, Rob Harbron, James Findlay and The Peterborough Male Voice Choir. The production was directed by David Edwards and was staged at Snape Maltings Aldeburgh, Peterborough Cathedral and The Sage, Gateshead. Design, White. "Jon Boden | Theatre Projects". Jonboden.com. Archived from the original on 19 July 2015 . Retrieved 3 June 2015.