THE WHO collection, double album, gatefold, SMR 570

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Caulfield, Keith (February 14, 2021). "Morgan Wallen's 'Dangerous' No. 1 for Fifth Week on Billboard 200 While 'If I Know Me' Hits Top 10 for First Time". Billboard. The Who continued to play a smaller selection of Tommy live in subsequent tours throughout the 1970s. [102] They revived Tommy as a whole for its twentieth anniversary during their 1989 reunion tour, reinstating the previously overlooked "Cousin Kevin" and "Sensation" but still omitting "Underture" and "Welcome". Recordings from this tour can be found on the Join Together live album and the Tommy and Quadrophenia Live DVD. The Los Angeles version of this show featured Phil Collins as Uncle Ernie, Patti LaBelle as the Acid Queen, Steve Winwood as the Hawker, Elton John as the Pinball Wizard, and Billy Idol as Cousin Kevin. [103] [104] Other incarnations [ edit ] 1970 Les Grands Ballets Canadiens [ edit ] Neill, Andrew; Kent, Matthew (2002). Anyway Anyhow Anywhere – The Complete Chronicle of The Who. Virgin. ISBN 978-0-7535-1217-3. Perrone, Pierre (24 January 2008). "The worst gigs of all time". Archived from the original on 25 January 2014 . Retrieved 26 January 2015.

Cecil Taylor, Charles Tolliver, Grachan Moncur& Archie Shepp- The New Breed (1978) – 2×LP – compilation Recorded in London's Royal Albert Hall on 30 March 2017 (plus behind-the-scenes footage and interviews) Townshend now considers Quadrophenia to be the last great album that the Who recorded. In 2011, he said the group "never recorded anything that was so ambitious or audacious again", and implied that it was the last album to feature good playing by Keith Moon. [58] Live performances [ edit ] 1973–1974 tour [ edit ]Muddy Waters- The Essence Of Muddy Waters (Featuring 50 Of His Greatest Recordings) (2007) – 2×CD compilation Australiancharts.com – Morgan Wallen – Dangerous - The Double Album". Hung Medien. Retrieved January 16, 2021. In March 2022, the album established the all-time record for longest duration in the number one spot (97 weeks) on Billboard 's Country Albums chart.

a b "New Zealand album certifications – Morgan Wallen – Dangerous: The Double Album". Recorded Music NZ . Retrieved 30 March 2013. D2C 2LP Deluxe (mono) vinyl version featuring the original album and extras highlights from the box set pressed on coloured vinyl; LP1 Odorono Red / LP2 Baked Beans Orange. Tommy ranked 190th greatest album by Rolling Stone magazine". Rolling Stone . Retrieved 2 March 2022. Caulfield, Keith (January 24, 2021). "Morgan Wallen's 'Dangerous: The Double Album' No. 1 for Second Week on Billboard 200". Billboard . Retrieved January 25, 2021. Various artists- Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968 (1972)- 2×LP

American album certifications – The Who – The Kids Are Alright". Recording Industry Association of America. Barker, Emily (24 October 2013). "The 500 Greatest Albums Of All Time: 300-201". NME. Archived from the original on 5 April 2019 . Retrieved 1 June 2020. Rayl, Salley; Henke, James (28 December 1978). "Kenny Jones Joins The Who". Rolling Stone. Archived from the original on 28 December 2014 . Retrieved 25 November 2014. Townshend, Pete (1996). Tommy: The Interactive Adventure Then and Now. Eel Pie Publishing. Kardana & Interplay Productions. Cdrom for PC (CD-MCR-263-0 / CD-C95-263-0) or for Mac (CD-MCD −263-UK)

Christgau, Robert (1969). "Robert Christgau's 1969 Jazz & Pop Ballot". Jazz & Pop . Retrieved 17 April 2014. Endless Wire: "The ARIA Report: Week Commencing 13October2006" (PDF). The ARIA Report. Australian Web Archive (871). Archived from the original (PDF) on 19 December 2006 . Retrieved 4 December 2010. Ironically, Pin Ups contained cover versions of the Who songs " I Can't Explain" and " Anyway, Anyhow, Anywhere". The Who performed the songs " Fire" and "Dig" from Pete Townshend's solo album The Iron Man: The Musical by Pete Townshend, which was released in 1989. I think we cross a lot of boundaries and I think our fans are very open-minded.” Ne Obliviscaris and the making of UrnA subsequent tour of the US and UK followed, employing most of the same players but with Billy Idol replacing Edmondson, [73] Simon Townshend replacing Gilmour and P. J. Proby replacing Glitter during the second half of the tour. 85,000 fans saw the ensemble perform Quadrophenia at Madison Square Garden over six nights in July 1996. [74] A recording from the tour was subsequently released in 2005 as part of Tommy and Quadrophenia Live. [75] 2010s tours [ edit ] This is the definitive vinyl pressing of Tommy. I have compared with multiple UK 1st and 2nd pressings and the 2014 Kevin Gray, and the classic is miles ahead in terms of clarity, soundstage and everything else.

The Who Sell Out is a bold depiction of the period in which it was made, the tail-end of the ‘swinging 60s’ meets Pop art mixed with psychedelia and straight-ahead pop. It’s a glorious blend of classic powerful Who instrumentation, melodic harmonies, satirical lyrical imagery crystallised for what was only the group’s third album. The album’s ambition and scope is unrivalled by The Who, or any other act from that period. Kisselgoff, Anna (9 February 1981). "Dance: Ballets Canadiens". The New York Times . Retrieved 16 October 2014. Dave Marsh thought the problem with the album's narrative is that there isn't enough transitional material provided by the lyrics. There are no stage directions, no cast, and narration is restricted to key phrases (such as "Tommy can you hear me?") [49] Key problems included an unclear explanation of what Tommy didn't hear or see in "1921", how or why he plays pinball, why "Smash the Mirror" leads into "I overwhelm as I approach you" (the opening line in "Sensation"), why Tommy tells his followers in "We're Not Gonna Take It" they cannot drink or smoke but can play pinball, and what the "you" is in "Listening to you, I get the music". [74] Muddy Waters- Hoochie Coochie Man: The Complete Chess Masters Volume 2, 1952–1958 (2004) – 2CD remast. compilation, deluxe edition

41: Woodstock: Music from the Original Soundtrack and More (1970)

Nashville’s Ryman Auditorium, home of weekly Grand Ole Opry live performances and radio broadcasts in the mid-20th century, is one of the most significant landmarks in country music. Emmylou Harris’s live album At the Ryman, recorded in 1991 with her brilliant all-acoustic Nash Ramblers Band, earned the singer a Grammy for country duo or group performance and ignited efforts to restore the Ryman to its former glory. Harris is a superb interpreter of songs, and as well as country classics such as “Half As Much” and “Cattle Call,” she also offers superb versions of modern classics, including Bruce Springsteen’s “Mansion on the Hill.” To top off a great country music concert, there is even a guest appearance by bluegrass founding father Bill Monroe. 36: Elvis Presley: Elvis (1968) a b "Latest Gold / Platinum Albums - RadioScope New Zealand". www.radioscope.net.nz. Archived from the original on 24 July 2011 . Retrieved 15 January 2022.