Into the Darkest Corner

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A debate Catherine has with herself during an early split with Lee is whether the sex - sex she considered, at least initially, as great - was grounds for reconciliation. For perseverance. Into The Darkest Corner is the first novel by British author, Elizabeth Haynes. In 2003, personnel manager Catherine Bailey is confident and carefree, with a full but somewhat risky social life that involves copious drinking and sexual promiscuity. In 2007, Cathy Bailey is frightened and withdrawn, crippled by the OCD rituals she follows to keep her emotions under control, to keep the fear and panic at bay. Darkest Corner has been compared to S.J. Watson’s Before I Go to Sleep. Watson even blurbs Darkest Corner, calling it “intense, gripping and utterly unputdownable.” I am a huge fan of Before I Go to Sleep— I found it, quite literally, “unputdownable,” and it kept me up all night. Its premise of not knowing who you really area is terrifying. So on one level I’m completely convinced that you can’t get everything you want or need from one person. To assume that your partner can satisfy all of your intellectual/emotional/physical needs is setting yourself up for failure. Into The Darkest Corner is an engaging read raising important issues about sexual madness and OCD, manipulation and exit strategies. More so, it puts on the agenda questions about prioritising sex and querying the role of quality in comparison to all our other relationship priorities.

Into the Darkest Corner by Elizabeth Haynes | Waterstones

Catherine Bailey has been enjoying the single life long enough to know a catch when she sees one. Gorgeous, charismatic and spontaneous, Lee seems almost too perfect to be true. And her friends clearly agree, as each in turn falls under his spell. Quite possibly one of the worst things about being the victim of a crime is feeling judged yourself. It’s perfectly natural to think of your own actions and agonize over how you could have prevented the crime, or how, if circumstances were different, you might’ve escaped it altogether. Among the most empowering things, therefore, for a victim of crime to hear, apart from that the perpetrator has been caught, are “You’re not alone” and “It’s not your fault.” Some are fortunate enough to learn that right away, others need a bit more time. But what if you don’t hear that at all? What if the people you trust the most tell you that you are at fault, that in fact, you are lying and not a victim of crime at all? When Catherine Bailey, the heroine of Elizabeth Haynes’ debut novel Into the Darkest Corner, calls herself “such a fool” for not having escaped an abusive relationship with Lee when she had the chance, I wanted to hug her and tell her not to blame herself. When she thinks about how her parents’ death led to her going to bars, flirting with strangers and eventually meeting Lee, I wanted to tell her that it’s useless to dwell on the what if’s, that in fact, her anger should be towards Lee and not towards herself or her past. I wanted to be the friend she so clearly needed.

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Like all of the books I tend to crow about, Elizabeth Haynes’ Into the Darkest Corner can spawn any number of juicy conversations. In October 2003, Cathy meets a somewhat mysterious but totally gorgeous man named Lee. He’s closed-mouthed about his job, but charms her friends, and as she gets involved with this enigmatic figure, a man who can be loving and vulnerable, but also rough and controlling, her life changes in major ways. From its uncompromising prologue – a young woman being bludgeoned to death in a ditch – Haynes’s powerful account of domestic violence is disquieting, yet unsensationalist.” In contrast to Lee is Stuart, Catherine’s neighbour in 2007, who is a psychologist and who wants to help her deal with her OCD. I was initially put off when he tells her she has OCD and asks if she’s gotten any help for it. I knew he was trying to be helpful, but I also wanted her to tell him it was none of his business. Still, she does need help, and I like how Haynes balances out Catherine’s wariness of Stuart with her desire to get better. Stuart gradually grew on me — I love how, despite his attraction to Catherine, he is first and foremost a friend. I kept wishing that he wouldn’t turn out to have some hidden agenda, that he really is as nice a guy as he seems. Lee is such a horrible, manipulative person, and the way he destroys Catherine is painstakingly, painfully methodical. Because Catherine’s relationship with Stuart unfolds in the book alongside her experiences with Lee, it is difficult to allow ourselves to trust Stuart, just as it must have been for Catherine as well. The story was partly inspired by my work as a police intelligence analyst. At the time I was producing a quarterly report on violent crime and as part of this I read a lot of accounts of domestic abuse. I was guilty of having very fixed ideas about violence in the home and the sort of people who were victims of it, and this stereotype was challenged in every way by the reports I was analysing. I’d always thought of domestic abuse as something that happened to ‘other people’, but it affects many couples and families from every part of society and is often very well hidden. In the book, Cathy’s friends don’t realise what is going on right in front of them, partly because they have no experience of violence – it’s something that happens to ‘other people’.

Into The Darkest Corner: Haynes, Elizabeth: 9780062197252 Into The Darkest Corner: Haynes, Elizabeth: 9780062197252

For me, if the relationship is bad - if there’s no trust or if outside of the bedroom it all feels strained and lonely - then for me good sex means little. Equally worth asking, how fantastic does a relationship need to be to compensate for bad sex? If the coupling is warm and trusting and romantic, does it really matter if the sex is all a bit crap? With that in mind then, if I can have fantastic conversations with my friends, vent to them, seek solace from them, go out and have fun with them, then what’s the one thing - the one dealbreaker - that I should want from a partner? But what begins as flattering attentiveness and passionate sex turns into raging jealousy, and Catherine soon learns there is a darker side to Lee. His increasingly erratic, controlling behaviour becomes frightening, but no one believes her when she shares her fears. Increasingly isolated and driven into the darkest corner of her world, a desperate Catherine plans a meticulous escape. Into the Darkest Corner was the third of my annual ‘Nano’ novels and it was the first one that had something like a proper ending. I wanted to write about how it felt not to be believed, and the story evolved from that idea. Many writers plan their stories carefully before they start, but I have a tendency to get bored and distracted, and my solution to this is to let the story grow as I write it. That way the ending is a surprise to me, and writing about it is exciting and fresh. Of course, it takes much longer to edit than if I’d planned it properly.

Into the Darkest Corner is a difficult book to read, and I mean that as a testament to how amazing it is. Haynes has crafted a terrifying, emotional, claustrophobic story of abuse. My copy (photo on the left) is filed with Post-It notes and marginal scribbles, mostly comments like “Argh! You liar!” referring to Lee. Rarely have I marked up a book so much — Darkest Corner has provoked that much from me. What’s the one thing - the only thing - that in most relationships would be considered unacceptable to source outside of the dyad? L. H. Healy (VINE VOICE)”This is an absolutely fantastic, gripping first novel from Elizabeth Haynes! I just could not put this one down and had to know what would happen next. Utterly compelling from start to finish.” Writing Style Accounts of torture and death? - very gorey references to deaths/dead bodies and torture Into the Darkest Corner’ is a real slow burn of a dark psychological thriller. Told in a dual timeline we switch between the past confident Catherine and the present terrified one as we gradually learn what has happened to her. This contrast between past and present is incredibly effective in showing the damage inflicted by domestic violence, gaslighting, and coercive control.⁣